First, though, Bookmaven - thank you for your flattering suggestion that I turn the blog into a book. I have sometimes thought about it a bit but have pretty much decided that I love the blog format. (Shame I can't earn any money through it ...) Penny Dolan made the point too. Thing is, I feel that this blog is more than just my words or voice - if this blog is any good at all it's all your voices that have helped make it that way. I think the quality of commenting on this blog is outstanding. I'm delighted to have well-known authors such as yourself (Bookmaven, for those who don't know, is the very successful Mary Hoffman), as well as editors and agents, and a fabulous standard of unpublished authors who seem to be doing all the right things to propel themselves towards publication. I think that blogs sometimes have the edge over books - the sacrilege! - because they are moveable and malleable and mutual. More like a guided group sharing thoughts and knowledge than a figure on a stage lecturing and then disappearing without taking questions.
(Candy - of course I need your comments, and not like a hole in the head! And yes, I know I haven't replied to your email - I'm on the case. Thank you!)
So, no plans for a book (though I wouldn't turn down a fabulous offer ...) but I am thinking of doing some talks around the country. I'd be happy to hear from anyone who'd like to set something up. Crabbit Old Bat on Tour? Crabbit Old Bat Comes to a Town Hall Near You? (Note to self - could be an excuse for serious investment in shoes. Definitely tax-deductible. Note to Penny Dolan - jealousy is an occupational hazard of a writer so if you're only jealous of shoes, you've getting off lightly).
Meanwhile, your excellent comments on 222ing books.
I am in awe of how you've all taken positivity from rejection. (As Caroline said, rejection is information. I like that.) Your thoughts are worth quoting from. And literally everyone was positive.
So, Ebony McKenna (recently published - yay!):
- "I finished six manuscripts (and didn't finish others) before I found my groove with Ondine. Two of those manuscripts *might* be fixable, but if they never see the light of day, that's fine with me. They were not a waste of time because I learned so much in the process." Exactly!
- Juliet Boyd:
- "I find the best way to deal with it [rejection] is to quickly open the envelope and see reject. Then put it away for a week to let yourself accept the rejection. After that, you can go back and read the feedback given with a rational mind and if you're honest with yourself, you will often agree with what is said." Juliet, If you can put it away for a week, you're a stronger woman than I am ...
- Iain Broome said...
- "I've been lucky so far and managed to get an agent at the fourth or fifth attempt, but I know plenty of people who have struggled and struggled with their novel. I think it's made all the more difficult because our work came out of our time on a Masters programme (Sheffield Hallam), so the investment, in a sense, has been financial as well as emotional, time-related etc." Iain, I wonder if it's not so much the financial aspect but the fact that going on an MA course is a fairly public statement that "I am going to be a Writer" so any "failure" to achieve that is a more public failure. When I was struggling to get published, I didn't tell many people so the anguish was more private.
- Donna expresses it perfectly, even though she hasn't got to the point of submitting, let alone rejection! Great attitude, Donna. She says:
- "... I do understand the reality that maybe, just maybe, this best book that's ever been written in the history of the world may not ever be published. Do I have the strength to sign a DNR form? Probably not. But I think I could bring myself to sign divorce papers (citing irreconcilable differences, or course). That way, I can officially move on... but I can entertain the dream that maybe a long way down the road we can reunite. It's a slim-to-none chance, but I'm the kind of person that needs the "slim."
- The important part of Andy Duggan's experience is highlighted in red:
- "I've been through all this as well, but maybe I can give some figures that might help: I've got a collection of approx 50 rejections from agents and publishers. In spite of this, my novel 'Scars Beneath The Skin' was eventually published by Flambard Press. There was a major rewrite somewhere amongst those 50 rejections, though - prompted by constructive criticism from a writing group."
- Focus on the red high-lighted parts of Suzie F's comment, too. This is what I mean by the quality of comments. Her point about self-doubting voices is crucial - these are the voices we have to learn to listen to. They so often speak sense. (Except that she had doubts about whether to write at all - the more important doubts are the ones about THIS book, Suzie. Always continue writing if you love it enough - though if you're not good enough, you may not be published ...) Suzie says:
- "Today's post hit home with me as I'm currently facing the fact that my current WIP isn't going anywhere. Well, maybe somewhere, like a deep, dark desk drawer. This is actually the second time - my first attempt at a novel was dropped at approx. 10,000 words but I was heading into NaNoWriMo with a fresh idea. ... I was infatuated with my two MCs but got myself into a plot jam. I've been stuck ever since. Then the self-doubting voices began whispering in my ear and I struggled with whether or not I should continue writing at all. Instead, I decided to use this WIP as a learning experience. Editing, rewriting, tightening, researching and reading a ton of books in my genre (MG and YA). I love the process so much and am starting to develop two new ideas." Hooray and triple hooray!
- David Griffin gives an insight into the anguish of the writer, and many of us will identify:
- "I had the services of an agent for just over a year, quite a while back now. And because the agency were unable to place my novels, we parted company. ... Since then I've tried only a handful of agents over the years, in a sort of half-hearted fashion, really. (i.e if one reputable and well-known London agency didn't want to represent me anymore, why would any other? Silly, I know, but it's taken a long time to get over that thought)." David, silly but understandable - thing is, you are probably a better writer now, writing different things - perhaps you are more publishable now. You have to try.
- "So in a way, lacking confidence and motivation in trying other agents, I've attempted to "smother my children" by simply not getting them out there." God, we're into murder now! Eeek, what did I start?
- "I'm developing habits of a writer who is committed to writing now, writing every day .... I'm going to try agents with determination and give it up to maybe 20 rejections. Only then will I occasionally read from the POD versions of my novels, with the odd sigh, knowing that not many other people will read them; and try the third one (when it's finished). "Grief, who would be a writer? (Millions of us, I know)."
- DanielB said...
- "I have had to "slap a 222" on a novel in the past when the publisher who I thought would be "my publisher" (a reasonable assumption, as they'd published two of my novels) turned it down. ... It's still in cryogenic suspension, awaiting that revolution in medical science. Parts of it have been siphoned off and used for stem cell research to grow bits of other novels." So, not wasted at all. Excellent! And I'm partly including your comment because it's interesting for people to see that even successful writers like you can have temporary probs with publishing and [see next para] with writing ... "That's the second situation Nicola mentions - and I am a little worried that I may also now be facing the first as well! Damn it, I'm supposed to be one of those "experienced writers". It isn't meant to happen to us..." Ah, yes, unfortunately it does, but I am confident that you've spotted it earlier and stopped yourself sooner than if this was your first. For info of others, the second situation Daniel refers to is when you're halfway through a book and you become aware that it's going towards a dead-end fast.
- Sue Hyams and Rebecca Knight seem delightfully happy at declaring the deaths of their beloved works. They say, respectively:
- "Oh, how timely! Just yesterday I decided that 222 was the only way forward - only I didn't have a name for it then - for the novel I've been working and working and working on for the past 18 months. The decision had been whacking me on the back of the head for some time but I tried to ignore it. Now, it almost feels like a relief. Almost. Great post - thank you!" And:
- "This is a fantastic post ... I've had to do this with my book, and it was all for the best :). I received two rejections that got me thinking, stopped querying immediately, and got to work! I can safely say that what I have now is 10 times better than my previous book, and all because of the criticism I received. Thank God for rejection!"
- To be honest, I'd say thanks to the writers who take rejection so constructively and leave God out of it, but I know what you mean ...
However, I also want you to notice that Catherine discovered (from the rejections and feedback) that she has a fatal flaw in her writing: not knowing at which point of the action to start the story.
I have two things to say to that:
- I'm going to do a post about starting stories. (Catherine, you will have discovered from your search that I haven't talked about this yet). It's a great idea for a topic.
- I have good news for the patient: this is not a fatal flaw. There is a cure! Hooray for illnesses with cures!
Meanwhile, you and we all simply need to remember the most important point of my orginal post, and one which none of you commented on substantially: that whether our WIP is curable, mildly rheumatic, terminal, comatose or cryogenically suspended (or awaiting divorce proceedings) we should be doing one thing regardless: writing and falling in love again.
Because that's what being a writer is.